Barbara Cooper: re:Growth
Bellevue Arts Museum, WA through Apr 22
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Barbara Cooper, Surge (2002, wood, glue [Bellevue Arts Museum, WA, through Apr 22]
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Barbara Coopers new exhibition highlights a decade of the artists investigation of organic forms that mimic growth found in nature.
Comparable to structures found in the forest, Coopers life-size forms resemble tree trunks and other natural patterns. The Chicago-based artist creates her sculptures by gluing together layers of wood veneer that she salvages from milling plants and furniture factories. The resulting forms parallel the regenerative and resilient qualities of the natural world.
Cooper is interested in how a living form evolves and changes from one condition to another. Her use of recycled wood is symbolic of this transformation, turning the discarded industrial material into new forms akin to its original source. Not only does Coopers approach echo the tenacity of life, her undulating forms move through space creating a sense that time has passed as in an old growth forest.
The twists, grooves and contours of her sculptures suggest a vitality that reflects the relationship between a living thing and its response to the environment. In both method and material Coopers work embodies this quality of adaptability essential for survival.
Barbara Coopers work is included in many prominent collections including the Smithsonian National Museum of American Art in Washington, D.C. and the Museum of Contemporary Art in Chicago. This exhibition includes a full-scolour catalogue.

ABOVE Barbara Cooper, Columna (1998), wood, glue [Bellevue Arts Museum, WA, through Apr 22]
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BELOW Barbara Cooper, Schist (2000), wood, glue [Bellevue Arts Museum, WA, through Apr 22]

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