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Western Front, 1972. photo: Fujiko Nakaya
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You might have glimpsed this false front remnant of the past (located at 303 East 3rd Avenue) as you walked along East Broadway. Even when it was pale grey with white trim and certainly now that it has been painted a rich, dark green and black, it was and is an attention-getting edifice.
Its not easy, however, to discover what goes on inside as there are no suitable windows to peek through and no signage explains its purpose. Except when a small entrance is open during public events, you must push a button and state your business, before being buzzed in. This measure is partly about security in a somewhat rough area, partly about the fact that it has always been a home, as well as a work place for those who collectively own it, and principally because it is a site where the projects and classes in progress invite no unwarranted intrusion.
In Vancouver Art and Artists 1931-1983, the exhibition catalogue published shortly after the Vancouver Art Gallery moved into its current premises there are many references to the historical significance of Western Front Lodge and the activities that took place there since it opened in 1973. One also learns that the current lodge is situated in the former, actual lodge of the Mount Pleasant Knights of Pithias, a building that also served as the Terminal Temple of the Pythian Sisters.
Since it was opened 30 years ago, Western Front Lodge has been as it was then, an important site for the presentation of avant garde, often interdisciplinary art exhibitions and experimental musical, dance, media and literary performances. It is also, sometimes a place to see events that are rude, over-the-top and deserving of an XXX rating.
Hank Bull, who has managed the space and its programs since 1973, and who is one of the nine original co-owners, says the present mandate of The Western Front Society To encourage and promote the role of the artist in determining the cultural ecology has remained virtually unchanged over time. That the society possesses sophisticated equipment that may be accessed and used under supervision for approved projects is another constant that attracts artists from all parts of the world.
How do you know whats on there? Consult Preview, check out Vancouver entertainment listings, or better yet, become a member and receive The Front magazine on a regular basis.
Ann Rosenberg is a freelance curator, critic, and author.
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Western Front, 2004. photo: Hank Bull
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