Preview Art Magazine June - August 2026
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Preview Art Magazine Art and Gallery Listings: Jun - Aug 2026 Issue

Current Issue: Jun - Aug 2026

Preview Art Magazine

The trusted guide to galleries and museums throughout the Pacific Northwest.

This year we celebrate 40 years of Preview

Runway to Runway: Styles and Stories of Flight Attendant Fashions

Runway to Runway: Styles and Stories of Flight Attendant Fashions

The Museum of Flight, Seattle, WA - To Jan 18, 2027

by Lisa Kinoshita

Today’s traveler may imagine “the golden age of flying” (1960s–70s) as an almost mythological era of aviation (Beluga caviar in ice swans! Spiral staircase to the top-deck cocktail lounge! Fashion shows at 30,000 feet! More leg room!). While Pan Am and TWA topped the pantheon of great airlines, it was the stylish, picture-perfect stewardess (as they were then called) that carried the industry’s glamorous image. Runway to Runway, at the Museum of Flight, explores how airline fashion followed the narrative of social change during the postwar boom. The exhibition features 100 artifacts, including uniforms and accessories by international couturiers such as Valentino, Pucci, Edith Head and Luly Yang. Styles range from classic tailoring to Star Trek–worthy paper dresses and go-go boots. Destination themes include a... Read More
Desirée Patterson: Interglacial

Desirée Patterson: Interglacial

The Reach Gallery Museum, Abbotsford, BC - June 27, 2026 – March 20, 2027

by Michael Turner

Desirée Patterson is a self-taught multidisciplinary artist and environmentalist born and raised in the Lower Mainland who now makes her home in Vancouver. The title of her current exhibition, Interglacial, refers to the 10,000- to 20,000-year warm spans that occur between ice ages—a scientific fact that has stood the test of time, but one that many in the scientific community now refer to as a potentially interminable condition, given the rise in global temperatures and our incessant burning of fossil fuels. Interglacial comprises five works, including its centrepiece, Still in Place (2025), a monumental textile and sound installation Patterson developed with earth science professor Brian Menounos in Pemberton last fall. Spanning 60 feet, Still in Place consists of 90 cyanotype panels exposed directly on the... Read More
How We Show Up

How We Show Up

Oregon Jewish Museum and Center for Holocaust Education, Portland, OR - June 28 – Nov 29

by Joseph Gallivan

How We Show Up: An America 250 Exhibition explores the ways Jewish Oregonians have participated in public life, tracing a long tradition of civic engagement shaped by leadership, service and advocacy. The exhibition spans Jewish civic life in Oregon from roughly the 1840s through the early 21st century and deliberately reaches beyond Portland, although the city features prominently as the historic center of Oregon Jewish life. Rather than spotlighting lesser-known figures, the exhibition focuses on prominent individuals who shaped Oregon’s history, among them Bernard Goldsmith (Portland’s first Jewish mayor), US Senator Ron Wyden, politicians Julius Meier, Vera Katz, Suzanne Bonamici, Ellen Rosenblum, Richard Neuberger, and Judge Gus Solomon. The show is organized into three thematic sections: leadership, service and advocacy. It presents a mix of... Read More
Jess Lincoln: Peony Room

Jess Lincoln: Peony Room

Art Gallery of St. Albert, St. Albert, AB - July 24 – Aug 29

by Lissa Robinson

Whether it be lavish interiors or mundane tasks, artists have long explored domesticity as a profoundly captivating subject. Home can be a refuge for some, a place to flee or a distant dream for others. During COVID, the world experienced a total disruption of normalcy: the lines between work and home became blurred, our daily lives fraught with uncertainty and vulnerability. It is within this context that Jess Lincoln’s exhibition, Peony Room, unfolds as an intimate yet exquisitely detailed meditation on home, memory and belonging. Begun during the pandemic, she transformed her dining room into a fully immersive, single artwork that covers the space floor to ceiling, surrounding viewers in a continuous visual narrative. In doing so, Lincoln positions the domestic as a site of... Read More

Features

  • Alberta
  • British Columbia
  • Washington
  • Oregon

Jess Lincoln: Peony Room

Art Gallery of St. Albert

Light Through Scars

Penticton Art Gallery

Runway to Runway: Styles and Stories of Flight Attendant Fashions

The Museum of Flight

How We Show Up

Oregon Jewish Museum and Center for Holocaust Education

Desirée Patterson: Interglacial

The Reach Gallery Museum

Cameron Kerr: Collecting the Unconscious

Griffin Art Projects

As waters merge–swaying waves beckoning us closer

Art Gallery of Greater Victoria

Douglas Watt: Mayor of the Village

Contemporary Art Gallery

Beyond Mysticism: The Modern Northwest

Seattle Art Museum

Return to Paueru Gai: 50 Years of Powell Street Festival

Nikkei National Museum & Cultural Centre

Becoming: The Art of Gu Xiong

Museum of Vancouver

I Use My Haida Eyes: The History Robes of Jut-ke-Nay–Hazel Wilson

Museum of Anthropology at UBC

Highlights

  • Alberta
  • British Columbia
  • Washington
  • Oregon

Footsteps Through Time: Human Journeys on the Land

Canmore Museum

Emergence 2026: Setting the Barometer

Vernon Public Art Gallery

Luminous Glow: The Neon Landscapes of Kelsey Fernkopf

Whatcom Museum

The Price of the Ticket: 2026 Oregon Contemporary Artists’ Biennial

Oregon Contemporary

Kaaganhlxa—Home Safe

Haida Gwaii Museum at Ḵay Llnagaay

Cheryl L’Hirondelle: Where the Voice Touches (((Acts, Utterances, Tr...

Walter Phillips Gallery

Thick as Thieves

Whyte Museum of the Canadian Rockies

Rosamunde Bordo: Magic Show

Western Front

Michelle Muldrow: The Roiling Sea

Imogen Gallery

An Animated Assembly

Nanaimo Art Gallery

Into the Garden | Jing Xia

North Van Arts District Foyer Gallery

Keerat Kaur: If Gardens Could Dream

Surrey Art Gallery

Weaving Home: Carpets of SW Iran

Nickle Galleries

Iron & Honor: The Art of Knighthood

Northwest Museum of Arts & Culture

Min Joyce Abraham: Spirit of Spring

Place des Arts

Anna Semenoff | In Response

Grand Forks Art Gallery

Exquisite Creatures

Field Notes

Port Angeles Fine Arts Center & Webster's Woods Sculpture Park

Portland Arts Week: Art & Sports

Astoria Open Studios Tour

Kaleidoscopia: Work by Brielle Lefebvre and Jason Breeden

The Dalles Art Center

We respectfully acknowledge that Preview is published on the ancestral and unceded lands of the xʷməθkʷəy̓əm (Musqueam), Sḵwx̱wú7mesh (Squamish) and səl̓ilwətaɁɬ (Tsleil-Waututh) nations.


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Aug 30

Open
Get ready for SCHACKTOBERFEST! ⁠
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Starting Sep 3, Schack Art Center (@schackartcenter) celebrates autumn with this spirited harvest-themed exhibition filled with the warmth, whimsy, and wonder of fall through the work of local artists and makers. 🎃🍂⁠
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Explore a spectacular glass pumpkin patch featuring 1,000 glass pumpkins, discover more than 100 artworks by regional artists, bid in the Silent Auction in the Mezzanine Gallery, and experience the “Make It Now” pumpkin sessions in the hot shop.⁠
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A festive celebration of creativity, craft, and seasonal tradition—there’s plenty to discover this fall.⁠
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Celebrate until Sep 27. Info at 🔗 www.schack.org.⁠
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Image: Caryl Fallert-Gentry, Bradford Fantasy 3.⁠
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#Schacktoberfest #SchackArtCenter #FallArt

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Aug 28

Open
What does it mean to be truly connected to the natural world as it rapidly changes around us?⁠
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On view now at Nanaimo Art Gallery (@nanaimoartgallery), BIOPHILIA is a touring exhibition from Musée d’art de Joliette bringing together painting, sculpture, installation, and video to explore the desires, contradictions, and responsibilities that shape our relationships with nature.⁠
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Meaning “love of nature,” biophilia describes the innate human desire to connect with living things and the environments around us. As climate change accelerates, it asks us to consider how we live, what we consume, and what we might need to give up in order to care for the world that sustains us. The works explore regeneration, fertility, exploitation, resilience, and the remarkable transformative power of living beings.⁠
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Artists include: Zheng Bo, Montserrat Duran Muntadas, Jumana Manna, Katherine Melançon, Joshua Schwebel and Lawrence Paul Yuxweluptun Lets’lo:tseltun.⁠
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This is the third exhibition through which Nanaimo Art Gallery explores the question: HOW CAN WE LIVE TOGETHER?⁠
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Image: Lawrence Paul Yuxweluptun Lets’lo:tseltun, My world is the same as yours, 2025, acrylic on canvas, 80 × 60 in. Courtesy of Macaulay + Co. Photography by Byron Dauncey.⁠
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yuxweluptun @montserrat_duran_muntadas @katherinemelancon.art @joshua.then.and.now @jumanamanna⁠
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#NanaimoArtGallery #MuséeDArtDeJoliette #ContemporaryArt #EnvironmentalArt #ClimateArt #ArtAndEcology

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Aug 28

Open
Only until Aug 30 at Burnaby Art Gallery (@bbyartgallery), MYFANWY MACLEOD: TROPHIES draws on the Burnaby Art Gallery’s history as a former fraternity house to examine hypermasculinity, exclusion, power, and the rituals of belonging.⁠
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Connecting ancient Greek rites and sculpture with the visual and performative codes of contemporary frat culture, MacLeod proposes alternative rites and relations while playfully questioning what—and who—gets recognized as a “trophy.”⁠
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Join Burnaby Art Gallery on Friday, August 28 (tomorrow!), from 1–3 pm for PLEDGING THE UNDEAD, a special closing-weekend conversation marking the final days of the exhibition.⁠
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Artist Myfanwy MacLeod (@@mittens_macleod_again) will be joined by curator and writer Kathleen Ritter and Burnaby Art Gallery Director/Curator Jennifer Cane for an engaging conversation about the ideas and questions that have shaped MacLeod’s multi-decade practice, as well as the themes that emerge throughout TROPHIES.⁠
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📅 Friday, August 28⁠
⏰ 1–3 pm⁠
📍 Burnaby Art Gallery⁠
🎟️ Free, registration required⁠
Email gallery [at] burnaby.ca to register.⁠
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Don’t miss this opportunity to hear directly from the artist and curators as TROPHIES comes to a close.⁠
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Image: Myfanwy MacLeod, Pleasure Island, 2026, sealed EPS foam, polyester resin and vinyl paint, 159 x 68 x 111 cm. Photography: Rachel Topham Photography.⁠
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#ContemporaryArt #ArtistTalk #CuratorTalk #CanadianArt

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Aug 26

Open
Opening Aug 28 at📍Jordan Schnitzer Museum of Art at Portland State University, Portland (@psu_museum_of_art), ANISH KAPOOR: DISSOLVING MARGINS⁠
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Explore more than four decades of printmaking in Anish Kapoor: Dissolving Margins, the first retrospective survey dedicated to this internationally renowned artist's print practice.⁠
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Featuring more than 150 unique works from the collections of Jordan D. Schnitzer and his Family Foundation, the exhibition reveals Kapoor's enduring fascination with iteration, variation, colour, and form. While widely known for monumental sculptures such as Cloud Gate, Kapoor has maintained an active and experimental printmaking practice for over 40 years.⁠
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The exhibition also includes the striking Untitled (Hex Mirror) (2009), a monumental mirror work measuring nearly five and a half feet in diameter. Together, the prints and sculpture invite viewers into Kapoor's extraordinary visual world, where colour, reflection, depth, and perception continually shift.⁠
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Don't miss the opening Family Day on August 29 at 11 AM, featuring all-ages art activities, children's Storytime, and face painting. A free public reception will also take place on October 22 at 4 PM.⁠
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Image: Anish Kapoor, Untitled (Hex Mirror), 2009, Stainless steel and resin, 66 1/2 x 66 1/2 x 9 1/2 inches Overall, Collection of Jordan D. Schnitzer.⁠
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#AnishKapoor #Printmaking #ContemporaryArt #OregonArts

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Aug 22

Open
On now at White Bird Gallery (@whitebirdgallery) in Cannon Beach, OR⁠
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55 SUMMERS IN CANNON BEACH⁠
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Celebrating 55 summers in Cannon Beach with a special anniversary group exhibition featuring gallery artists, past and present, alongside vintage posters, memorabilia, and more.⁠
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The exhibition celebrates the Summer of 1971 and the song "White Bird" by It’s a Beautiful Day—the song that inspired the gallery’s name. Also featured is a special poster release with original artwork by Robert Schlegel (1947–2021).⁠
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A celebration of art, music, memory, and 55 summers on the Oregon coast. 🌊⁠
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Image: Bird with Rose, 55 Year Anniversary Poster image by Robert Schlegel (1947 - 2021).⁠
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#CannonBeach #OregonArt #OregonCoast #GalleryExhibition #GroupExhibition #RobertSchlegel

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Aug 21

Open
KRIS HARGIS: ALONE, TOGETHER is on view at Froelick Gallery (@froelick_gallery) through August 29.⁠
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Hargis’s 14th solo exhibition features a brand new series of self-portraits and still lifes. Working in pastel and charcoal, Hargis creates arresting images that invite viewers into a private, internal space, balancing focused observation with expressive marks, gestures, and erasures.⁠
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Hargis describes the process as quiet and observational—simply looking, drawing, and allowing everything to come out on the paper.⁠
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Image: Kris Hargis, A Dolphin Junction Bouquet, 2026⁠
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@kristianohargisimo⁠
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#PortlandArt #ContemporaryArt #Drawing #PastelDrawing #CharcoalDrawing #StillLife

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Aug 20

Open
To Aug 30 at Waterstone Gallery (@waterstonegallery) in Portland,⁠
COMPLICATED RELATIONSHIPS: ROBERTA LAMPERT AND ANNE DOSSKEY 🗓 August 5 – 30, 2026⁠
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Complicated Relationships brings together the work of Roberta Lampert and Anne Dosskey, two artists whose practices explore our deeply personal and often complex connections to the natural world.⁠
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Lampert’s sculptures reflect on Oregonians’ psychic identification with their environment, while Dosskey’s intimate drawings reveal a close appreciation for Oregon’s native flora. Together, their work considers nature not simply as landscape, but as something woven into memory, identity, and experience.⁠
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The exhibition will also include “Say Their Names,” an award-winning installation protesting the deaths and wrongful treatment of detainees in ICE and CBP custody, adding another powerful dimension to this exploration of place, humanity, and connection.⁠
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Image: Roberta Lampert, Avian Dream II. Polychrome stoneware, porcelain, copper luster, acrylic, wood.⁠
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@robertalampert⁠
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#RobertaLampert #AnneDosskey #ContemporaryArt #OregonArt

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Aug 19

Open
CARLETTA CARRINGTON WILSON: OBJECT LESSONS⁠
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At Bainbridge Island Museum of Art (@bimuseum.of.art) until Sep 20. ⁠
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Part of Handwork 2026 (@handwork2026), this exhibition brings together poetry, collage, installation, artist books and mixed media to explore memory, ancestry, identity and the stories held within objects.⁠
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Using fabric and found materials as portals to the past, the Seattle-based artist reclaims and reimagines generational knowledge through image, text, and the act of making. For Wilson, an object can become a door—a way of reaching back toward histories that have been lost, obscured, or remembered through the body and the hands.⁠
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Rooted in the landscapes of the Pacific Northwest, her work considers cloth as both material and metaphor: a constellation, a geography, and a translator of time. In Object Lessons, hand, memory, language, and material converge to create powerful connections between personal and collective histories.⁠
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Image: Carletta Carrington Wilson, dig (detail)⁠
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#Handwork2026 #TextileArt #CollageArt #InstallationArt #MixedMediaArt #ArtistBooks #ContemporaryArt #PacificNorthwestArt

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Aug 16

Open
KAAGANHLXA—Home Safe ⁠
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On now at the Haida Gwaii Museum at Kay Llnagaay, Skidegate, this exhibition documents repatriation and Haida cultural belongings within a broader program of contemporary Haida art. Curated to coincide with anniversaries of the Haida Gwaii Museum’s founding, the exhibition foregrounds repatriation, living heritage, and ongoing cultural practice. ⁠
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The display also includes new contemporary Haida artworks, adding a layer of intergenerational dialogue between past and present. ⁠
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🔗 haidagwaiimuseum.ca⁠
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#KaaGanhlxa #HaidaGwaiiMuseum #Repatriation #HaidaArt

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Aug 14

Open
Becoming: The Art of Gu Xiong -- at the Museum of Vancouver (@museumofvan) -- maps a half-century trajectory from Chongqing to Vancouver, staged across painting, silk-screen, and installation. This survey exhibition foregrounds resilience amid displacement, tracing throughlines of memory, identity, and belonging as organizing principles in the artist’s practice. ⁠
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Rather than a conventional retrospective, the show functions as a sustained inquiry into transnational artistic development, where each work performs a negotiation between place and person, timing and trauma, endurance and emergence.⁠
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Image: Artist Gu Xiong posing in front of his painting Crushed Cans, 1993. Photo: Gu Xiong.⁠
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@xionggu⁠
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#MOV #CanadianArt

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Aug 12

Open
On now at the Museum of Anthropology (@moa_ubc ), Vancouver, I USE MY HAIDA EYES: THE HISTORY ROBES OF JUT-KE-NAY–HAZEL WILSON.⁠
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Hazel Wilson’s history robes—51 pieces—are presented as a cohesive collection that foregrounds Haida history through a synthesis of narrative textiles and contemporary painting. The installation situates tradition within a modern discourse, prompting critical consideration of ceremony, wearable art, and the wall as a site for living memory. The fabrics shimmer with embedded stories, and each robe carries accompanying text that deepens historical context. ⁠
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On view through Oct 12. ⁠
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Image: Jut-ke-Nay–Hazel Wilson models a fur cape, c. 1985. Photographer unrecorded. Courtesy of Robert Kardosh.⁠
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#IndigenousTextiles ⁠

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Aug 11

Open
Until Aug 29 at Scott Milo Gallery (@scottmilogallery) in Anacortes, Washington -- celebrate the beauty of small-scale painting in PLEIN AIR WASHINGTON ARTISTS: LITTLE GEMS⁠
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The 11th annual juried exhibition features 70 outstanding works by 35 plein-air Washington artists. Selected from nearly 300 submissions, the exhibition highlights the remarkable talent of regional artists working in oil, acrylic, and watercolour. Enjoy Saturday painting demonstrations throughout August.⁠
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In addition to the exhibition, visitors can browse a fresh collection of jewelry, glass, sculpture, and handcrafted furniture, making this a must-see summer destination for art lovers and collectors alike.⁠
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Image: Light Chaser, 9x12 oil by Joyful Ward.⁠
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#AnacortesArts #PacificNorthwestArt

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Aug 8

Open
Today! 🗓 August 8, 2026 | 10am–5pm at THREE locations across Tacoma!⁠
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📍Washington State History Museum (@washingtonhistory), Tacoma Art Museum (@tacomaartmuseum), and Museum of Glass (@museumofglass).⁠
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21ST ANNUAL IN THE SPIRIT ARTS MARKET & NORTHWEST NATIVE FESTIVAL⁠
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Celebrate 21 years of the IN THE SPIRIT Arts Market & Northwest Native Festival, a free community event honouring the richness and diversity of Indigenous arts and culture. Taking place across the Washington State History Museum, Tacoma Art Museum, and Museum of Glass, this annual festival brings together artists, performers, and communities for a day of creativity, learning, and celebration.⁠
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Browse artisan vendors, experience live music and cultural performances, enjoy interactive demonstrations, explore art exhibitions, and sample delicious food—all while taking advantage of complimentary admission to all three museums. Whether you're discovering Indigenous art for the first time or returning for a favourite annual tradition, IN THE SPIRIT offers a welcoming opportunity to connect with the vibrant cultures and artistic traditions of the Pacific Northwest.⁠
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#InTheSpiritFestival #NativeArts #IndigenousArt #TacomaArts #WashingtonStateHistoryMuseum #TacomaArtMuseum #MuseumOfGlass #NorthwestNativeFestival #ArtsMarket #CommunityFestival

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Aug 8

Open
Celebrate the creativity of the Pacific Northwest tomorrow, 🗓 August 8 at GLASS FEST NORTHWEST.⁠
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This lively annual festival at the Museum of Glass (@museumofglass) brings together artists, makers, and the community for a day of art, demonstrations, and discovery.⁠
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Browse the work of more than 50 local artists and vendors on the Grand Plaza, where you'll find handcrafted glass, ceramics, jewelry, and other unique works by regional artisans. Watch skilled flameworkers in action as they transform molten glass into beautiful creations, enjoy live demonstrations throughout the day, and sample delicious offerings from local food trucks and the Museum Café.⁠
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Whether you're a dedicated collector or simply looking for a fun summer outing, Glass Fest Northwest is a wonderful opportunity to experience the artistry, innovation, and vibrant creative community that make the Pacific Northwest such a special place.⁠
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#GlassFestNorthwest #GlassArt #TacomaArts #GlassBlowing #ContemporaryCraft #PreviewArt

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Aug 6

Open
This weekend only! ⁠
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Visit the Kootenays this weekend for the ⁠
COLUMBIA BASIN CULTURE TOUR!⁠
🗓 August 8 & 9, 2026 | 10am-4pm⁠
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Explore the creativity, history, and culture of southeastern British Columbia during the Columbia Basin Culture Tour. This free, self-guided event features nearly 90 venues across the East and West Kootenays and beyond, inviting visitors to experience the region's vibrant arts and heritage firsthand.⁠
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Meet artists and makers in their studios, discover galleries and museums, visit cultural and heritage sites, and explore unique venues that are rarely open to the public. Along the way, you'll have the opportunity to shop for original artwork and fine crafts, enjoy special events, and connect with the people who make the Columbia Basin such a rich cultural destination.⁠
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Whether you're planning a weekend road trip or exploring your own backyard, the Columbia Basin Culture Tour is an inspiring celebration of local creativity, community, and place.⁠
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#ColumbiaBasinCultureTour #KootenayArts #BCArts #OpenStudios #CultureTour #HeritageSites #SupportLocalArtists #CanadianArt #RoadTripBC

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Aug 5

Open
DOUGLAS WATT: MAYOR OF THE VILLAGE reconfigures Vancouver’s Davie Street into a performative gallery landscape where backrests become architectural motifs and a chalkboard menu functions as a sociopolitical artifact. The installation, on view at Contemporary Art Gallery (@cagvancouver), Vancouver BC, operates as a critique and celebration of community spaces, queerness, and everyday sociability, inviting viewers to consider how art resides within public and semi-public domains. A companion series of Watt’s earlier model works expands the dialogue, underscoring how scale, materiality, and display strategies mediate memory and activism. ⁠
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Through Sep 13. ⁠
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Image: Douglas Watt, Little Sister's (detail), 2023. Courtesy of the artist, Vancouver.⁠
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@welcometodougworld⁠
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#DouglasWatt #CAGVancouver #QueerArt ⁠

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Aug 2

Open
KEERAT KAUR: IF GARDENS COULD DREAM⁠
🗓 To Aug 30⁠
📍 Surrey Art Gallery (@surreyartgal)⁠
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Multidisciplinary artist Keerat Kaur explores memory, identity, and the lived experiences of the South Asian diaspora through painting, sculpture, digital media, embroidery, poetry, and performance. Rather than offering fixed meanings, Kaur layers recurring symbols that evolve through repetition, inviting viewers into a space of quiet reflection.⁠
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Throughout the exhibition, familiar motifs become meditations on time, belonging, and devotion. The moon transforms into a marker of cycles and return, while the heart becomes both a physical organ and a symbol of emotion, care, and spiritual connection. Rich in symbolism and poetic resonance, If Gardens Could Dream encourages visitors to slow down, contemplate, and discover meaning through experience rather than explanation.⁠
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Image: Keerat Kaur, Symbol Harvester, 2025.⁠
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@_keeratkaur⁠
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#ContemporaryArt #SouthAsianDiaspora #MultidisciplinaryArt #CanadianArt

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Jul 31

Open
At Grand Forks Art Gallery (@gallery2grandforks) to Aug 15⁠
ANNA SEMENOFF | IN RESPONSE⁠
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Semenoff's works emerge from memory, intuition, and mediated imagery. Often depicting women alone or in quiet companionship, her paintings blur the boundaries between observation and emotion, creating scenes that feel both familiar and dreamlike.⁠
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Working with a palette of rich, muted tones punctuated by bold blacks, Semenoff builds compositions that reveal themselves slowly. In one standout work, what first appears to be a solitary figure gradually transforms as a second, larger presence emerges, inviting viewers to reconsider themes of identity, connection, and perception. In Response is an evocative exhibition that rewards close looking and thoughtful reflection.⁠
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Image: Anna Semenoff, Trust Me, 2026.⁠
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@anna_semenoff⁠
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#FigurativePainting #ContemporaryPainting ⁠

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Jul 30

Open
To Aug 12 at Place des Arts (@pdacoquitlam), Coquitlam⁠
MIN JOYCE ABRAHAM: SPIRIT OF SPRING⁠
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Inspired by traditional Chinese ink painting, Spirit of Spring showcases the elegant work of Min Joyce Abraham, whose delicate paintings of birds and flowers seek to capture not just their appearance, but their essence. Rather than striving for realism, Abraham's compositions invite quiet contemplation, encouraging viewers to connect with the emotional and spiritual qualities of the natural world.⁠
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Beginning each work with expressive black ink strokes, Abraham balances intention with intuition before layering subtle watercolour washes that enhance rather than define the composition. The resulting paintings are graceful studies in movement, harmony, and restraint, reflecting both centuries-old artistic traditions and the artist's deeply personal approach to image-making.⁠
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Image: Min Joyce Abraham, Crane by the Pine Tree, 2023.⁠
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#minjoyceabraham #ChineseInkPainting #WatercolourArt #CoquitlamArts #NatureInspired #ContemporaryArt

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Jul 29

Open
LIGHT THROUGH SCARS offers a capacious inquiry into grief and resilience through a pluralistic media assemblage. Curated by Parvin Peivandi, the exhibition constructs a dialogic space where climate disruption, geopolitical tension, and collective memory converge, proposing art as a modality for processing and envisioning renewal. ⁠
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Viewers are invited to attend to how form, material, and sequence enact emotional and historical time, turning exhibition space into a forum for reflection and potential social insight. ⁠
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🗓️ To Sept 30 at the 📍 Penticton Art Gallery (@pentictonartgallery), Penticton BC.⁠
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Image: Ghinwa Yassine, When You Pour Something, It Carries the Memory of Its Mold, 2024, video performance, photo and installation. Photo: Devan Scott. ⁠
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#ClimateArt⁠
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